June has jumped into the year 2021, but nowhere close to the town of Pennington Acres, where a contest is to be held, a charity raising hula hoop contest between billionaire heirs Brie Collins and Reed Stanton.
But June is resourceful, finding a reporter heading to cover that event, bartering her own body to get a ride with him. Can they reach Brie in time before she falls victim to the twisted technology behind a performance hoop called The Hooker Hoop meant to sabotage her win?
And when June reveals that an earlier draft of the story mentioned The Hooker Hoop was built using Plutonian technology, will taking it with her when she jumps through time send her home or only cause more problems?
Sunday, November 28, 2021… that is the date June knows she will reach, one way or another this time. She has hurtled helplessly through time ever since the explosion many years in the future aboard the Plutonian Chaos Cube… and after figuring out the pattern, this is the final stop along the way. After this, June can only assume she will either be lost forever or jump back into 2026, where she belongs.
But first, she will find herself emerging from the ball of iridescent lightning, her arrival causing a brief blackout on a busy inner-city street corner, and this is nowhere close to where she needs to be for what is about to take place.
June remembers the story, The Hooker Hoop, about billionaire heirs competing in a hula-hooping contest for charity. It all takes place at the lavish estate of one of those participants, Brie Collins, whose father has full confidence she will easily defeat her rival Reed Stanton.
Their fathers have always been fierce rivals in all things, Ronald Collins and Ulysses Stanton. But the competitive need to outdo the other in this race to raise the most money for charity may be pushing one of the men too far. The night before the competition, Ronald lets his daughter Brie know that she is assured a win, because of The Hooker Hoop, a highly advanced prototype of a performance hoop, aerodynamically made of ultra-lightweight metal material with technology inside it that practically spins and balances itself.
But it was Ulysses Stanton that provided it, claiming he couldn’t have his son Reed be publicly humiliated beating a girl at a hula-hooping contest. Despite Brie assuring her father that she can win with her own hoop, she agrees to use The Hooker Hoop, neither of them aware of what Ulysses Stanton’s real motivations are… and nobody aware that June is catching a ride with a reporter from the city where she ended up, desperate to reach Brie before that hoop does what it has been written it will do to her innocent mind and body.
Will June get a bit distracted by the pleasures of her paying her way with Ethan, the reporter, using her body and its unique talents for kinky sex? Will Brie be helpless to avoid the same fate June has already read about? And when June arrives in the rich small town of Pennington Acres to see Brie already on stage, will she reveal that she knows more about this particular story because of an unedited cut she read… one that revealed The Hooker Hoop was a prototype developed using pirated Plutonian technology?
One way or another, June is taking charge of her chaotic jumps through time itself, and if she can’t stop the original events from taking place as they did in those twisted Tales from the Kreme, then she is going to take that Hooker Hoop with her into the next and hopefully final jump back to her own time… wagering that the Plutonian technology is just what she has needed to reclaim her future and stop living in the past.
But is this really the end of June’s journey, or only the beginning of her realizing that the stories she finds herself witnessing are nothing compared to a mystery hidden within her own past and the past of the very writer she blames for ending up here?
Up next… It’s time for June…

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